!["From the Asian-influenced backdrops to the wall of dressing room mirrors and slide show effects, Megan Reilly’s [projection] design envelopes the production in a unique world." Behance review "The projection designs by Megan Reilly we](https://images.squarespace-cdn.com/content/v1/51db819fe4b026638f3fb448/1717185909064-74UQUL0TZBVT80P2E383/YF5.jpg)
Written by David Henry Hwang
|| produced by Lyric Stage Company of Boston | performed June 2024 at Lyric Stage Company of Boston, Boston MA | directed by Ted Hewlett | scenic design by Szu-Feng Chen | costume design by Mikayla Reid | lighting design by Baron Pugh | projection design by Megan Reilly | photography by Megan Reilly ||
"Clever projections and sound work designed by Megan Reilly and Arshan Galus, respectively, help engage the audience and facilitate the storytelling."
Boston Globe Review, June 4, 2024
"Szu-Feng Chen’s scenic designs make full, imaginative use of Lyric’s compact stage and greatly aid in carrying the action forward. Megan Reilly’s creative projection designs include headlines from the various events and periods in DHH’s life."
"Megan Reilly’s projections are invaluable, bringing to vivid life the articles – some written by Boston theater critics – that surrounded the controversy around the “Miss Saigon” protest and his play “Face Value"..."
On Boston Stages review, June 8, 2024
"Megan Reilly's projection design provides an effective complement to Hwang's narrative..."
"From the Asian-influenced backdrops to the wall of dressing room mirrors and slide show effects, Megan Reilly’s [projection] design envelopes the production in a unique world."
"The projection designs by Megan Reilly were a delightful addition to the show. She projects supertitles titles onto the stage like lit filagree announcing the next scene. Chinese landscapes and newspaper clippings fit snuggly into the scenic design to transport the audience through time and space."